Among the porcelain imitations, the Ming and Qing imitations are the most common, and the imitations are fake and varied. Here is a brief introduction for everyone:
Adding money: Add the old porcelain without the money to the corresponding paragraph, especially after adding the folk kiln boutique to become the “official kiln boutiqueâ€. This kind of imitation is difficult to identify, and it is difficult to distinguish without certain experience. If you are familiar with painting and calligraphy skills, or can be good at painting, it is easier. The new additions are usually poorly written, and it is difficult to achieve a pen center. The official kiln style is very regular and the strokes are clear and smooth. This method of identification needs to be slowly experienced and difficult to grasp in a short time.
Grinding at the end: This is similar to the addition of fake enamel, just a more "grinding" process, which brings certain convenience to the identification. Because the original kiln section, or the part that the counterfeiter needs, is worn out, it is necessary to add glaze to add money. The glazed surface that has been done is often very dull. If you look carefully under the magnifying glass, you will find that there are bubbles in the glazed surface, and no bubbles can be made on the fake glazed surface. There is also a way to knock out the bottom section, and then replenish it before replenishing the glazed surface and replenishing the money. The identification method is the same as above.
After the addition of color: the original non-textured porcelain color, re-burned in the kiln, its color is often very new, easy to identify. If it is a complex ornament, it is necessary to find a difference between the techniques of the ancients and the modern people. The initial method is to find the difference in the pen.
Add color to cover: a glazed porcelain, damaged on the surface, or rushed, or broken, repaired glazed, and then with the ornament, can cover the original damage. The glaze color is a low-temperature glaze, and it is difficult to see the difference between the original ornament and the newly added ornament.
鸳鸯 Match: Combine two pieces of broken old porcelain into one, make the original, or form a new one; or combine a new one and a old one into a complete one. For example, if a spring bottle of the jade pot of the Qing Dynasty was damaged, the new porcelain jade pot spring bottle mouth was cut down and installed, which is different from the repair. Because of the repairer, the surface of the glaze is painted, not hard, with a knife to draw, that is, the filling, and with the new porcelain to add up, the new porcelain glaze hardness is the same as the old.
Replenishment and remodeling: If an old double-dragon ear bottle, the ears are lost, I am afraid to make up the stuffing. After all, the damage is not an easy task, so the damage is smoothed and glazed. Ear bottles, this kind of reformer is hard to see. There are many ways to make up the residuals, such as kerfs, long bottles and short bottles, covered with no cover, and so on.
Patching into full: obviously a piece of debris, after repairing it is said to be a complete device, such things are difficult to identify, need to look from top to bottom, from left to right. Of course, the repair surface is larger, and the texture is added, which is easy to identify; but the small repair is small, but it is not easy to detect. Another is to add accessories, such as a bottle, neck damage, and deliberately make an ear to cover, to cover the original damage, of course, the new accessories can be seen from the glaze, shape and flaws.
Breaking old and new: deliberately breaking a high imitation porcelain, or breaking the part, the old part of the fracture, the illusion that an antique is broken, because the Ming and Qing dynasty porcelain is damaged even if it is damaged. Breaking the new porcelain, as a phenomenon of old porcelain, is very common in the current antique market. Therefore, be aware of the damage device.
Adding gold color: porcelain with gold color, because of the long time, the gold is easy to wear and fall off, the fakes often re-add gold, but the newly added gold color shines. If the gold color is worn out, the polishing marks can be seen under the magnifying glass. Some of the artifacts have less gold, and the fakes add gold color patterns, but the old gold color is used as a contrast, making it easier to distinguish.
Adding printing color: Adding a printing color on a piece of monochrome glazed porcelain, this printing pattern is often very fine, and it is scanned by computer using the real pattern. This type of fraud is very deceptive. People look at this type of porcelain, pay more attention to the bottom, pay attention to the bottom glaze. If these two points are optimistic, they should be right, and whether there are problems on the ornamentation is often ignored.
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